THE EXHIBITION OF SCULPTURES OF AGNETE
BRITTASIUS
Vilnius
Picture Gallery (6th September, 2001 - 18th September, 2001)
Biography
Born the 27th of May 1935 in
Horsens, Langholt, North Jutland, Denmark. 1955 married to Knud
Joergensen.
Self-taught person. Courses of vocational training. Selftuintion through
for instance travels to Western and astern European countries, to the
U.S.A. and to East Asia.
She made her debut in 1967 at Den Frie, an annual Danish
exhibition in Copenhagen. She has since then had several exhibitions for
example: The cat there walked by her self, at the Pavilion of Art
in Aalborg 1993. Well-visited exhibitions in The Thingbćk Chalk Mines,
1999 and in the Church of Bangsbostrand, Frederikshavn, 2000.
Represented at numerous exhibitions in museums and galleries in Denmark
and foreign countries. Participated in many censured exhibitions both in
Denmark and abroad e. G. The International Sculpture Quadrennial,
Riga, Latvia 1992 and the International Grand Prix dArt in Nice,
France in 1989/90/91//92/93/96/98.
Sale:
The artist is today represented
in Government and District institutions. Two sculptures are owned by the
Danish Royal Family. Sale to foreign countries. Works have been sold to
art museums, and Agnete Brittasius has received several major public
commissions through the years.
The artist have received 12 grants and scholarships, i.a. she was
awarded the sculpture prize Prix Spécial de Jury Nice 90 and Coupe
de la Ville de Villauris, France 1992 and 1993, 3rd Prix Général; lAigle
de Bronze, France 1996, La Fontaine des Arts France, 1998. The Grant of
Anna E. Munch, Denmark, 2000.
She has acted as a censor twice at national exhibitions.
Member of the Swedish Union of Artists.
Address:
Rĺholtvej 50,
DK-9900 Frederikshavn, Denmark
Telephone: +45 98 42 01 26
http://www.Agnete-Brittasius.dk
Brittasius@mail.dk
http://www.ArtGuideDenmark.dk
http://www.algonet.se/~svkonst/brittasius/brittasi.htm
In France the critics have
characterized the art of Agnete Brittasius with words as fantasy,
peculiarity and quality. Especially they have noticed the marvellousness
and the reflection and many critics are comparing her with Gaudi.
In Denmark the critics have drawn the attention to the charm, the
audacity and the grace in her sculptures. Especially the have notices
the warmth and the glow of her colours and her use of gold. Agnete
Brittasius uses the whole scale of religious colours and Christian
symbols. With spirit and primitive force she expresses the Mortal and
the Divine. Her sculptures remind us of the magic in the old fairytales.
Kirsten Balling